2012年12月27日星期四

YanLi damage oil painting


There are also people who believe that a lot of British people heard melt salt produced in oil painting of destruction was surprised: I didn't think that is the sole collapse. Terrible at the same time. Since the melt salt damage so big, in order to maintain the fragile painting curiosity, not equal to simply in the severe snow closed during the art gallery, wait until the weather to improve after the open to the public. A few days ago, the problem in the gallery visitors feet. The original. Britain in the flying snow had a white Christmas. Day after day raging storm not only let canceled flights of passengers, customers cut retailers, vegetables freeze to death farmers was headache, even the British national gallery has launched to sorrow. Due to heavy snow and cold low temperature rising, the most of the pavement are snow accumulation.
In order to ensure the smooth flow of traffic, cleaner in accordance with the conservative method to the streets and a lot of snow melt salt and coarse sand. In this way, people travel is convenient but YanLi and coarse sand but follow visitors shoes was brought to all directions, and that makes trouble. In fact, the common place for, these glued to the people of the sole foreign body "itself may not have any threat, but to collect a large number of ancient paintings in the British national gallery, into the Returning of the horse riders oil painting is fatal to paintings happen permanent damage. The British national gallery of experts to the media that recently. To art museum visitors into the sole of the YanLi and coarse sand into dust floating in the air, will happen in the library a chemical reaction, let many antique painting was irreparable damage. Points out, the permanent collection of fine arts 15% paintings have been faced the threat of chemical pollution, some paintings show signs of black. Includes Italian painter titian, Michelangelo, the French painter Cezanne, cheap paintings, masters of a group of oil painting, the situation has been very critical. Threatened paintings have a common features - contains the conservative cinnabar red pigment.

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