LieWeiTan's work greatly reflect The Times and the traditional meaning

But it is completely depending solely on said natural scenery and realize work no one even position; However, LieWeiTan's work greatly reflect The Times and the traditional meaning. But conveys a painter profound history. That kind of not diamonds explain narrative lyric thoughts. Paintings the house home - where gives birth to young LieWeiTan ideal, but it seems it is so lonely and cold and cheerless "over the graveyard" seems to be lingering childhood persecution shadow, Painting early spring melt frozen snow, clear and bright sky, let people close eyes can call suction to chilly pure air "march"
"This is where show g micro branch in the novel where" the end of words, Lord. The author Peter martyr and Nero tyranny after the collapse of the circulating about life and death, or thinking.
A large number of feudal serfdom residual hysteresis in the nation's development, the 19th century Russia. Exploration and thinking become new intellectuals and feudal forces in the struggle over of the main activities of the center. The mainstream of the real art also satisfied enough to simply reflect social life, and the starting point is more on the country's future thinking.
Visitors looked at this article the escort the revolutionaries to Siberia to the prisoner of empty road, Bird pausing on branches covered by snow oil painting "is a picture of such work. The far field after days of quiet scene, in the heart of the carefree and seems not only to the great loss of natural scenery, more important to the past, and now the future thinking. The painter with great emotional force quantity shows the power of my homeland, the condensed must fight the power of human sacrifice; When thinking to this layer, then blurt out "Russia ah, where to go?
When through it the viewers to see the name of the picture, when LieWeiTan first salon display this picture when. Even if is not the sun's strong consciousness, the fields become life touched, and thus gives respect, salute eyes.
In 1861, was born in a jewish family, LieWeiTan is the 19th century Russia great landscape painter. Father is a primary school JiaoShuJiang, when the family moved to Moscow.
Was sent to Moscow painting sculpture school. From LieWeiTan by brother influence, LieWeiTan brother is a painting to. Also very like painting, soon into the father taught elementary painting class training. The LieWeiTan youth have also been don't rove academician's personal teaching, and to lay a solid foundation of painting.
How to use the household decorate your love in the oil painting compelled to leave Russia, because of the persecution of the tsar. A through a vagabond life, but the life of Europe and without compromising his love for painting. Love is not so tired as Russia's natural scenery, the natural revel to the extreme point, the whole heart into the creation of the great. Sometimes, it is not what to write to paint, holding a piece of black bread, enduringly on your back in the grass; Whistling, enjoying the nature of various delicate fun. For him, natural is the best teacher, the true art feelings and ideal is the studio looking for less than
All feel close to the natural embrace lovely feeling. But "cute" is not limited to previous Russia techniques of pure and fresh and smooth conservative, all of the works. More in them with a pregnant with the poetic inspiration, presenting the vitality of life. Livestocks foraging outside the shed oil painting works created a full color, golden autumn, like as a gem like the clear streams, big chunks of birch forest, Brooks and slope of the flower, distant blue sky and white clouds, with the atmosphere of good cheer.