Landscape painting the changes of national consciousness

During the period of the republic of United States new art movement trend of further strengthening and extending, anyhow. Criticism of the traditional and the introduction of western realism is still the theme of the new art movement. Families that are worth noting the  Mediterranean paintings ", provoked a new understanding of traditional artists, which shows the return of the national conservative ideas, and the synchronization of the eastern and western art "a blend of United States and western" real discussion. Can say national conservative regression, a blend of United States and western and western idealism and modernism is twenty years in the second half of the period to the period before the Anti-Japanese War period of the main pattern. This pattern of diversity in orientation and at the same time, with social reactionary crisscross in the complex situation, constitute a coexist. Just for the pursuit of art ontology, nationalization and modernization of the synchronization problem of pursuit is still the invention. The background scenery painting creation can say is this major premise, I slowly through nationalization, it is hard to say how fast scenery oil paintings of the period, but I know national aesthetic characteristics is especially apparent in the change of the landscape oil painting, landscape oil painting is gradually emerging woodcut printmaking and idealism of the margins of society and improve themselves and to mature

Introduced to United States and get a full developed, and the scenery oil painting as a 19th century popular western paintings. Pursuit of color with light effects and characteristics of the realistic scene said techniques into my own national characteristics. Since the war of resistance, woodcut printmaking with propaganda effect is gradually replaced by, landscape oil painting in the narrow crack is difficult to survive in the Anti-Japanese War. Article separation will be discussed during the period of the republic of United States era background scenery oil painting in a particular period of the development process, and analyze the history given by The Times characteristics and historical significance.
Often ignored the discussion of landscape painting during the period of the republic of United States, talk about oil painting nationalization of today. Political criticism (scar scholars mostly ordinary is concentrated in the fine arts, star arts exhibition) local abroad (local) realistic painting nationality abroad, etc., hit a few century landscape paintings of discussion. Cries for anti-japanese and national salvation, the high momentum of idealism, woodcut printmaking 1, images of the propaganda, under the cover of landscape paintings in what position in stops perfecting itself, carry out? Or a stagnant? Desirable? Or no one mentioned? Purpose to research this article after the artist's painting style analysis and and idealism confrontation to discuss scenery oil painting in the context.