2012年10月28日星期日
Mongolia oil painting has opened a new chapter
After entering the new century, new more young generation artists and grow and mature. Active in the s and s has become more comprehensive translated many foreign teacher generation, influence the whole Zebras on grassland oil painting also moved to Beijing. The new century Inner Mongolia oil painting, if use a fashion statement, might as well be called the "TuoMuSi age". When I was in the Inner Mongolia work many years of comrade, look at these eyes raw young people's works, unavoidable plaint years rush, true it may be said is the waves behind drive on those before, a new generation in old people. But these young people from the works, I still see, as the regional painter, they hold the basic criterion and does not change. Inner Mongolia natural environment advantageous, whether the vast field, is still towering mountains; Whether green grass shade, is still of white snow, for these to colour is relying on the painter, and they are all their visual feast. From a historical point of view, the nomadic way as the basic living of Classical oil painting of innocence, cross the knife horse, can sign fit, the most Oriental masculinity. Once created a splendid performance was genghis khan Mongolian become forever pride and spiritual symbol. This kind of heroism life spirit nourishes the generation after generation, so that they have a kind of any bad natural environment and social environment of survival of courage and ability. Inner Mongolia painter also just is in such a "natural maternal" and "human matrix" nourish in the growth and mature, they have to be sentimentally attached to the natural suitable for the growth of their homes, the home at the same time it is a oil painting source for the realization of their artistic ideal provides what they needed.
In the early 1960 s, in central beautiful courtyard learning years of TuoMuSi with superb skill back to hometown, become the development of Inner Mongolia oil painting new power. He not only affect the young generation of oil painting students, but also take up to his long than a generation. TuoMuSi painting creation, which greatly promoted the Inner Mongolia oil painting's quality, so that the development of Inner Abstract figure oil painting has entered a new stage. Especially in the "cultural revolution" after 20 years, in TuoMuSi influence and culture, the new generation (more for his students generation) quickly rise, YanJie, YeLiFu, malian, WuHouBin, WangYanQing, auspicious erg stare blankly, alluvial gold, et al, AoEn, LiHuaJun, MiaoJingChang, etc., have become the backbone of this period oil-painter group strength. As a leader, TuoMuSi I for the successful hosting of the solo exhibition, not only in the district, and has wide influence in the country.
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