"Xinjiang oil painting the line" activity were invited "Chinese realistic painting" more than 50 artists to NaBeiJiang sketch, that there is no lack of among them YiXuan, WangYiDong, YangFeiYun, GuoRunWen, LengJun, domestic famous artists. Invite xinjiang painter 30 participation.
For seven months, retreated nearly miles, by the hands of the painters brush the paint a constant beautiful vivid picture scroll, portray the grandeur of the landscapes, xinjiang fantasy simplicity heroic folkway and colorful culture, show the north tianshan mountain the great changes of the people of all ethnic groups and the arduous struggle the vivid course, reveal the xinjiang unique cultural charm.
Chinese realistic painting, director of the office GuoYuanChao six times with artists to xinjiang, in xinjiang walk on the earth, experience, experience... Xinjiang's mountains and rivers shocked they in xinjiang, the multivariate culture attract them, the people of all ethnic groups in xinjiang, the beauty of simplicity moved by them, and let them couldn't help but think picked up a brush to express a chest meaning.
"But there are so excellent painter in xinjiang, painting is very very good!" Many people look at the exhibition said later.
Xinjiang local painter's work become the exhibit a window. The wind blow grass low now the vastness of cattle and sheep and vast, singing, dancing, of the township of carefree and happy, all in xinjiang of the painter's becomes vivid and feelings abound.
As a representative of the xinjiang painter, BaiGang said: xinjiang artist can draw the minority nationalities subtle differences, that other regions painter's hard.
As the first generation of kazak oil painters, Oman, · MuHan panov took part in the exhibition of 5 painting is and kazak relevant: kazak portrait "again, what o", kazak people's life scenes performance of "joy", "mountain love", "the love of motherland", "the second returnees".
Oman · MuHan panov think she should draw let kazak fellows all know painting, in return for their love, and like to take this opportunity to lead more kazak people like art, art career development. For this, for many years, he insisted on further prairie areas life, sketch, painting in performance, it is the prairie scenery and herdsmen's life, so to speak, and he described the brush and records the kazak masses of changing new life.
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